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Bosmina 1
Bosmina 1 is an original intaglio print on a zinc plate, created as part of my personal study of microorganisms in the aquatic world.
The subject depicts a typical freshwater microorganism, Bosmina, commonly found in both small and large lakes. Its distinctive transparent body reveals the interior in a fascinating interplay of translucency.
The zinc plate was worked using a two-bite etching technique and subsequently finished with a three-bite aquatint process.
Bosmina 2
Bosmina 2 is an intaglio print on a zinc plate made by me during my personal study of microorganisms in the aquatic world.
The subject depicts a typical freshwater microorganism, the bosmina, which can be found abundantly in both small and large lakes, and whose distinctive transparent body allows the interior to be seen in a fascinating interplay of translucency.
Maritime Pines
The maritime pine (Pinus pinaster) is an evergreen tree of the Pinaceae family that finds its ideal habitat near the coasts of the Mediterranean Sea.
“Maritime Pines” is an intaglio print on a copper plate, printed on 275 gsm Fabriano Rosaspina paper.
Ponte Chiodo (Nail Bridge)
Chiodo Bridge is located in Venice, in the Cannaregio district. It crosses the Rio di San Felice and has a feature that makes it unique in Venice: it has no parapets. In past centuries, and up until the nineteenth century, most bridges in Venice did not have parapets. It was therefore decided relatively recently to equip the existing bridges with parapets (called spallette in Venetian dialect) in order to improve pedestrian safety.
The name “Chiodo” comes from the family who lived in the palace overlooking the bridge — the Chiodo family, in fact.
Another bridge without parapets can still be found in Torcello: the Devil’s Bridge.
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Reflections 01 – Boat
Intaglio print on a copper plate. The techniques used are:
– Etching, to create the lines of the drawing, and
– Aquatint, to achieve tonal gradations and create a sense of depth.
They are the result of a personal study on the reflections of Venice’s architectural elements in the water, almost creating a double of the city distorted by the constant breathing of the lagoon.
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Reflections 02 – Bridge
Intaglio print on a copper plate. The techniques used are:
– Etching, to create the lines of the drawing, and
– Aquatint, to achieve tonal gradations and create a sense of depth.
They are the result of a personal study on the reflections of Venice’s architectural elements in the water, almost creating a double of the city distorted by the constant breathing of the lagoon.
Paper size: 7.09 × 9.84 inches
Print size: 3.19 × 4.17 inches
They are printed with intaglio ink on Rosaspina paper.
Sold unframed.
This item is handmade in my studio in Venice — slight color variations may occur, making each piece unique. The artwork may appear slightly different from the photos. Small imperfections or irregularities add character to the handcrafted piece, distinguishing it from mass-produced prints.
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Reflections 03 – Cat
Intaglio print on a copper plate. The techniques used are:
– Etching, to create the lines of the drawing, and
– Aquatint, to achieve tonal gradations and create a sense of depth.
They are the result of a personal study on the reflections of Venice’s architectural elements in the water, almost creating a double of the city distorted by the constant breathing of the lagoon.
Paper size: 7.09 × 9.84 inches
Print size: 3.19 × 4.17 inches
They are printed with intaglio ink on Rosaspina paper.
Sold unframed
This item is handmade in my studio in Venice – slight color variations may occur, making each piece unique. The artwork may appear slightly different from the photos. Small imperfections or irregularities add character to the handcrafted piece, distinguishing this work from mass-produced prints