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Bell Tower of San Giorgio dei Greci
This intaglio print depicts the bell tower of San Giorgio dei Greci in Venice.
The church was the center of the Scuola dei Grei, the Greek Brotherhood in Venice. The bell tower was built in 1592.
Claws
These claws are the second pair of swimming appendages of Cyclops strenuus.
Intaglio print: drypoint etching on an aluminum plate, printed on 285 gsm Rosaspina ivory paper.
Grand Canal – View from the Accademia Bridge
[vc_row][vc_column][vc_column_text]The Grand Canal (known by Venetians as Canalazzo or, in the Venetian dialect, El Canalasso) is the main canal of […]
Ponte Chiodo (Nail Bridge)
Chiodo Bridge is located in Venice, in the Cannaregio district. It crosses the Rio di San Felice and has a feature that makes it unique in Venice: it has no parapets. In past centuries, and up until the nineteenth century, most bridges in Venice did not have parapets. It was therefore decided relatively recently to equip the existing bridges with parapets (called spallette in Venetian dialect) in order to improve pedestrian safety.
The name “Chiodo” comes from the family who lived in the palace overlooking the bridge — the Chiodo family, in fact.
Another bridge without parapets can still be found in Torcello: the Devil’s Bridge.
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Reflections 01 – Boat
Intaglio print on a copper plate. The techniques used are:
– Etching, to create the lines of the drawing, and
– Aquatint, to achieve tonal gradations and create a sense of depth.
They are the result of a personal study on the reflections of Venice’s architectural elements in the water, almost creating a double of the city distorted by the constant breathing of the lagoon.
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Reflections 02 – Bridge
Intaglio print on a copper plate. The techniques used are:
– Etching, to create the lines of the drawing, and
– Aquatint, to achieve tonal gradations and create a sense of depth.
They are the result of a personal study on the reflections of Venice’s architectural elements in the water, almost creating a double of the city distorted by the constant breathing of the lagoon.
Paper size: 7.09 × 9.84 inches
Print size: 3.19 × 4.17 inches
They are printed with intaglio ink on Rosaspina paper.
Sold unframed.
This item is handmade in my studio in Venice — slight color variations may occur, making each piece unique. The artwork may appear slightly different from the photos. Small imperfections or irregularities add character to the handcrafted piece, distinguishing it from mass-produced prints.
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Reflections 03 – Cat
Intaglio print on a copper plate. The techniques used are:
– Etching, to create the lines of the drawing, and
– Aquatint, to achieve tonal gradations and create a sense of depth.
They are the result of a personal study on the reflections of Venice’s architectural elements in the water, almost creating a double of the city distorted by the constant breathing of the lagoon.
Paper size: 7.09 × 9.84 inches
Print size: 3.19 × 4.17 inches
They are printed with intaglio ink on Rosaspina paper.
Sold unframed
This item is handmade in my studio in Venice – slight color variations may occur, making each piece unique. The artwork may appear slightly different from the photos. Small imperfections or irregularities add character to the handcrafted piece, distinguishing this work from mass-produced prints
Shore Crab
Engraving of a shore crab (Carcinus aestuarii). This type of crab typically lives along coastlines, is native to the Mediterranean Sea, and can easily be found throughout Italy.
Tree
Tree is an intaglio print created from a copper plate. The technique used is etching.
Printed with intaglio ink on Rosaspina paper.
Paper size: 7.08 × 9.84 inches
Image size: 2.36 × 3.54 inches
Venice Skyline
An etching on copper depicting the Venice skyline. More specifically, this is the view of Venice as seen from the Northern Lagoon, heading toward Murano.